That distinctive expression of an electrocuted corpse may give Warhol his instantly recognizable look but this classical treatment of such an anti-classical icon is so thoughtful and frank that it makes me re-think classical portraiture, this particular artist's work (which I already admired), Andy himself, and my own conditioned assumptions about him.
The painting is by Andrew Wyeth's son (and N.C. Wyeth's grandson, Carolyn Wyeth's nephew) James Wyeth.
I hadn't really looked at this portrait until I read Eric Stengel's essay about Andy Warhol being a founding member of the classical art atelier New York Academy of Art. It was there Stengel encountered the work of Camie Davis, whose work was featured in an exhibit in Stengel's hometown.
If you haven't seen Camie Davis' work, check out her website. Even if you're not into classical figurative work (or the "derriere guarde")her technique will probably still make you drool. And if you like her work, you might also enjoy Farrar Hood, Jason Talley, Joyce Cambron and Mark Kang-O'Higgins.