B-Out

 "If one more person tries to talk to me about Bravo’s new reality show Gallery Girls I’m going to punch them straight in the face,"

writes Howard Hurst at Hyperallergic. You can tell he is off to a good, though tangential, start as he discusses a group show of over 100 artists working outside "the norm" called B-Out, curated by artist Scott Hug at Andrew Edlin Gallery.

"The great strength of this exhibition is its aggressive inclusiveness and refusal to categorize. The most poignant conclusions are those that the curator seems unwilling to make directly. By including multiple generations of artists, across aesthetic and theoretical boundaries, Hug constructs a loose history of misbehavior that includes a number of strategies and opportunities."

"Crystal," an installation by Maya Hayuk. Image from Andrew Edlin Gallery site. [Image: a narrow high-ceilinged room with a wood floor and an open doorway on the far side of the room. Photo taken from the short side opposite the door looking down the long space. The walls are painted with diagonal, brightly colored dripping stripes that leave no white showing and intersect to create a sort of psychedelic childish plaid. The room is lit by track light on the ceiling, creating a womb-like effect. Two smallish long horizontal light-boxes or TV screens face each other at eye level with blue images on them. Another image, framed in white and not on a screen, hangs higher but it's impossible to make out from the photo. Overall the installation feels surprising, playful and visually appealing if overwhelming.]

I'm surprised that in 2012, when virtually everything has a well-defined niche, at least online, with strict sub-categorizations and fractious followings, that there is still a humongous undefined box marked 'Other' when it comes to The Art World. Aren't we supposed to be the avant garde? But that sort of exclusion has a rich history and is still all too real, so it makes sense to have a show exploring just that phenomenon. And Hurst ads a layer of cultural relevance when he calls it a "mash-up." Looks interesting.

ETA: Hey, while you're over at Hyperallergic, check this out: Allison Meier's writeup of the creepy and complex sound installation by Janet Cardiff and George Bures Miller called "Murder of Crows." And in case you thing the title is a bit melodramatic, that is actually the proper name for a group of crows, like "flock" or "pride."

Nathalie Djurberg's "The Parade"

This exhibit, Nathalie Djurberg's "The Parade" (2011) at the New Museum in NY, looks quite worthwhile. I especially appreciate Thomas Micchelli's vivid descriptions and thoughtful interpretation, especially since I'm guessing the show won't be stopping through Charleston any time soon.

Nathalie Djurberg's "The Parade" 2011. New Museum, NY. This shows only the sculpture; there were also claymation films projected on all the walls. [Image: cavernous white gallery filled with colorful sculptures of exotic or tropical birds ranging from knee- to head-height, standing around in pools of light cast by spotlights. The birds look quite solid, like they're made of metal frames, then covered with textures-- the feathers stick out individually-- and cloth and painted to be somewhat cartoonish while retaining a theatrically realistic look.]