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Showing posts with label charcoal. Show all posts
Showing posts with label charcoal. Show all posts

Saturday, March 21, 2020

Sketch by me

It's been a while since I've drawn in charcoal so yesterday I spent the afternoon practicing. I pulled such a weird expression because I rarely get a chance to draw contorted faces and the interesting shapes they create. When I draw portraits professionally, of course I try to make the subjects look good, not like monster-clowns. But that can get a bit boring.

I took a few photos as I went so you can see how it progressed over the afternoon. You're supposed to work on the entire thing at once, not to go bit by bit... but I did anyway. It was just that kind of day.











This isn't finished; the left side of the page is blank, leaving room for another weird expression that I'll integrate with this on as a bigger composition when it's done.

Monday, December 18, 2017

Portrait of Berthe Morisot

I finally finished the Berthe Morisot portrait that I wrote about a few posts back. It's somewhat large (about a meter tall). I'm happy with it. However I was slightly disappointed with the texture of the paper for charcoal (it's meant for etchings, I think) because it didn't allow me to manipulate the charcoal as much as I'd like once I laid down the original lines. Next time I'm going with something smoother. Suggestions are welcome (not that toothy Ingres texture though please. The physical sensation of drawing on that gives me the heebie-jeebies).
The finished portrait of painter Berthe Morisot, by Ciana Pullen.
The original photo of Morisot that I worked from. I also looked at other photos of her over her life to get a better idea of what she looked like, since I had to fill in and make sense of a low resolution image.

A detail of the shoulder. I like the texture of the erased lines.

Detail of the face and hand.

Detail of the fringed blanket. The blanket didn't exist in the original photo but the composition needed something black in that shape. I suppose I could have made it anything; a backpack, a roofing shingle, a large sheet of nori. But I went for the obvious. The fringe was fun, especially the white spaces between the threads which took on an unexpected stained glass effect.

Wednesday, December 13, 2017

Sketch in Progress of Berthe Morisot

I mentioned a few days ago that I was having some trouble in the studio and planned to simply draw a portrait of Berthe Morisot from a photo. It's been slow going; first, because it's quite large, and second, because I had to build myself a support wall for my studio space, and I don't have a car. Which meant walking down to Bauhaus (which is like Lowe's, except they don't finance the Republican Party) and carrying back my supplies in 2 trips. I'm proud to say I built a strong support out of foam, which I can easily disassemble when/if I move studios. I'm making only one change, and that is to replace the very squeaky top foam layers (the blue stuff) with a cheap roll of cork (which is sold to go under wooden floorboards to stop them from squeaking).
The back of the support wall in my studio space (look at the cool arched ceilings!)

The support wall with the very beginning of the Berthe Morisot sketch stuck to it with bulldog clips and enormous staples that function like tacks. The system works!

Anyway, here is a detail of the portrait in progress.
Portrait in progress of Impressionist artist Berthe Morisot, drawn from an old photograph. By Ciana Pullen / St. Rhinocéros

Friday, July 31, 2015

Wednesday, July 1, 2015

Wednesday, June 24, 2015

Portrait of a little girl in a hat (detail) by Ciana Pullen

Portrait of a little girl in a hat (detail) by Ciana Pullen
Portrait of a little girl in a hat (detail) by Ciana Pullen. Charcoal, drawn from life, 2012. Image: head and shoulders of a 6-year-old-ish Hispanic girl wearing a hat looks up at the viewer. She's lit from the side which creates graphic shadows on her clothes. Drawn in realistic black & white charcoal.]
This is only a portion of the drawing since it's for a client. This girl sat for me while her parents distracted her with a smartphone. She was *so* serious.

[This is a re-post, originally published April 8, 2012.]


Friday, June 19, 2015

Thursday, June 18, 2015

Julia Child, drawing by Ciana Pullen

drawing of Julia Child by Ciana Pullen
Julia Child, by Ciana Pullen. Charcoal, 2011.
I drew this from one of Julia Child's cookbooks while working at the Farmer's Market one day and a man bought it right from my drawing pad as a gift for his wife. I snapped this photo before it disappeared, but it's not quite print quality, so unfortunately this isn't available on Etsy. But I'll do another drawing of Julia to list. With a chicken.

Friday, May 24, 2013

Anne Bonny


[This post has been edited for brevity].

From my Notable Charlestonians series, professional hellion Anne Bonny.
 
Anne Bonny by Ciana Pullen (detailed description in caption below)
Anne Bonny, by Ciana Pullen. A charcoal drawing of what I imagine Bonny would have looked like circa 1720. Drawn completely from imagination. [Image: realistic, somewhat detailed black & white charcoal drawing on a sepia-grey background of a young white pregnant woman leaning insouciantly against a ship railing. She wears a dress and man's coat, as well as a sabre and pistol holster slung over her belly. She wears a slouchy hat over her loose stringy hair, which was purported to be red. The ocean stretches behind her to the horizon and meets some advancing drizzly nimbus clouds.]


Sometime Charlestonian Anne Bonny (8 March 1702 – 22 April 1782) was a pirate. As a girl she moved with her family from Ireland to Charleston, SC, where she was noted as a “good catch” in the marriage department (we know only that she had red hair). However her notorious temper became infamous; on one occasion she stabbed a family servant with a table knife. Over the objections of her family she married a sailor, whom she soon abandoned. Much of what we know of her time in the Caribbean is from an early 1700s Dutch book called A General History of the Pyrates, which includes the one and only contemporary portrait of of Bonny, likely idealized or imagined:

Historical Illustration of Anne Bonny (detailed description in caption below)
Image: An antique black & white full-length engraving of Bonny pointing a gun. Her hair blows in the wind, she wears a sword, an ax, another pistol, and another sabre. Some of these weapons are hard for me to identify, but there are a lot of them strapped to her. She wears a hat and men's clothes, including long loose pants, boots, a saggy jacket that reminds me of a revolutionary soldier, and a loose blouse that, for whatever reason, bares her breasts. In the style of the day, her head is very small and her breasts are positioned really oddly. Her features look neither particularly pretty nor distinctive, but rather stereotypically eighteenth-century-ish. Several pirate ships sail in the background.]

Bonny had affairs with several others engaged in illegal smuggling, most notably “Calico Jack” Rackham (with whom she had a child in Cuba), on whose ship she was a frequent crew member. But most interesting was her affair with another female pirate, allegedly disguised a as a man, named Mary Read, also in Calico Jack's crew.

Skilled in combat, Bonny, Mary Read and one unknown pirate were the only crew to fight and defend their ship against attack in 1720, as the remaining crew were simply too drunk to fight, including Calico Jack himself. The crew were tried as criminals, but Read and Bonny “pleaded their bellies” and were excused from execution because they were pregnant. Bonny visited Calico Jack in his cell and reportedly uttered that she was “sorry to see him there, but if he had fought like a Man, he need not have been hang'd like a Dog."

It is unknown what she did upon being released-- return to her husband, resume piracy under a new identity-- but most likely her well-connected father secured her release and she returned to Charleston to give birth, presumably to Rackham's child. In 1721 she married a local man named Joseph Burleigh, and they had 10 children. She died “a respectable woman,” at the age of eighty.

The portrait I drew above is purely imagined based off her description and how I imagine a habitually violent, unwashed pregnant woman living off hardtack biscuits and liquor might have looked. Prints of the drawing are for sale on my Etsy store.