It's been a while since I've drawn in charcoal so yesterday I spent the afternoon practicing. I pulled such a weird expression because I rarely get a chance to draw contorted faces and the interesting shapes they create. When I draw portraits professionally, of course I try to make the subjects look good, not like monster-clowns. But that can get a bit boring.
I took a few photos as I went so you can see how it progressed over the afternoon. You're supposed to work on the entire thing at once, not to go bit by bit... but I did anyway. It was just that kind of day.
This isn't finished; the left side of the page is blank, leaving room for another weird expression that I'll integrate with this on as a bigger composition when it's done.
Showing posts with label charcoal. Show all posts
Showing posts with label charcoal. Show all posts
Saturday, March 21, 2020
Monday, December 18, 2017
Portrait of Berthe Morisot
I finally finished the Berthe Morisot portrait that I wrote about a few posts back. It's somewhat large (about a meter tall). I'm happy with it. However I was slightly disappointed with the texture of the paper for charcoal (it's meant for etchings, I think) because it didn't allow me to manipulate the charcoal as much as I'd like once I laid down the original lines. Next time I'm going with something smoother. Suggestions are welcome (not that toothy Ingres texture though please. The physical sensation of drawing on that gives me the heebie-jeebies).
| The finished portrait of painter Berthe Morisot, by Ciana Pullen. |
| A detail of the shoulder. I like the texture of the erased lines. |
| Detail of the face and hand. |
Wednesday, December 13, 2017
Sketch in Progress of Berthe Morisot
I mentioned a few days ago that I was having some trouble in the studio and planned to simply draw a portrait of Berthe Morisot from a photo. It's been slow going; first, because it's quite large, and second, because I had to build myself a support wall for my studio space, and I don't have a car. Which meant walking down to Bauhaus (which is like Lowe's, except they don't finance the Republican Party) and carrying back my supplies in 2 trips. I'm proud to say I built a strong support out of foam, which I can easily disassemble when/if I move studios. I'm making only one change, and that is to replace the very squeaky top foam layers (the blue stuff) with a cheap roll of cork (which is sold to go under wooden floorboards to stop them from squeaking).
Anyway, here is a detail of the portrait in progress.
| The back of the support wall in my studio space (look at the cool arched ceilings!) |
| The support wall with the very beginning of the Berthe Morisot sketch stuck to it with bulldog clips and enormous staples that function like tacks. The system works! |
Anyway, here is a detail of the portrait in progress.
| Portrait in progress of Impressionist artist Berthe Morisot, drawn from an old photograph. By Ciana Pullen / St. Rhinocéros |
Friday, July 31, 2015
Wednesday, July 1, 2015
Wednesday, June 24, 2015
Portrait of a little girl in a hat (detail) by Ciana Pullen
[This is a re-post, originally published April 8, 2012.]
Labels:
A Portrait A Day,
charcoal,
child,
Ciana Pullen,
drawing,
girl,
live drawing,
portrait from life,
portraiture,
sketch,
sketchbook,
Friday, June 19, 2015
Thursday, June 18, 2015
Julia Child, drawing by Ciana Pullen
| Julia Child, by Ciana Pullen. Charcoal, 2011. |
Labels:
charcoal,
Ciana Pullen,
cooking,
drawing,
Julia Child,
kitchen,
pasta,
portrait,
sketch,
Friday, May 24, 2013
Anne Bonny
[This post has been edited for brevity].
From my Notable Charlestonians series, professional hellion Anne Bonny.
Sometime Charlestonian Anne Bonny (8 March 1702 – 22 April 1782) was a pirate. As a girl she moved with her family from Ireland to Charleston, SC, where she was noted as a “good catch” in the marriage department (we know only that she had red hair). However her notorious temper became infamous; on one occasion she stabbed a family servant with a table knife. Over the objections of her family she married a sailor, whom she soon abandoned. Much of what we know of her time in the Caribbean is from an early 1700s Dutch book called A General History of the Pyrates, which includes the one and only contemporary portrait of of Bonny, likely idealized or imagined:
Bonny had affairs with several others engaged in illegal smuggling, most notably “Calico Jack” Rackham (with whom she had a child in Cuba), on whose ship she was a frequent crew member. But most interesting was her affair with another female pirate, allegedly disguised a as a man, named Mary Read, also in Calico Jack's crew.
Skilled in combat, Bonny, Mary Read and one unknown pirate were the only crew to fight and defend their ship against attack in 1720, as the remaining crew were simply too drunk to fight, including Calico Jack himself. The crew were tried as criminals, but Read and Bonny “pleaded their bellies” and were excused from execution because they were pregnant. Bonny visited Calico Jack in his cell and reportedly uttered that she was “sorry to see him there, but if he had fought like a Man, he need not have been hang'd like a Dog."
It is unknown what she did upon being released-- return to her husband, resume piracy under a new identity-- but most likely her well-connected father secured her release and she returned to Charleston to give birth, presumably to Rackham's child. In 1721 she married a local man named Joseph Burleigh, and they had 10 children. She died “a respectable woman,” at the age of eighty.
The portrait I drew above is purely imagined based off her description and how I imagine a habitually violent, unwashed pregnant woman living off hardtack biscuits and liquor might have looked. Prints of the drawing are for sale on my Etsy store.
From my Notable Charlestonians series, professional hellion Anne Bonny.
Sometime Charlestonian Anne Bonny (8 March 1702 – 22 April 1782) was a pirate. As a girl she moved with her family from Ireland to Charleston, SC, where she was noted as a “good catch” in the marriage department (we know only that she had red hair). However her notorious temper became infamous; on one occasion she stabbed a family servant with a table knife. Over the objections of her family she married a sailor, whom she soon abandoned. Much of what we know of her time in the Caribbean is from an early 1700s Dutch book called A General History of the Pyrates, which includes the one and only contemporary portrait of of Bonny, likely idealized or imagined:
Bonny had affairs with several others engaged in illegal smuggling, most notably “Calico Jack” Rackham (with whom she had a child in Cuba), on whose ship she was a frequent crew member. But most interesting was her affair with another female pirate, allegedly disguised a as a man, named Mary Read, also in Calico Jack's crew.
Skilled in combat, Bonny, Mary Read and one unknown pirate were the only crew to fight and defend their ship against attack in 1720, as the remaining crew were simply too drunk to fight, including Calico Jack himself. The crew were tried as criminals, but Read and Bonny “pleaded their bellies” and were excused from execution because they were pregnant. Bonny visited Calico Jack in his cell and reportedly uttered that she was “sorry to see him there, but if he had fought like a Man, he need not have been hang'd like a Dog."
It is unknown what she did upon being released-- return to her husband, resume piracy under a new identity-- but most likely her well-connected father secured her release and she returned to Charleston to give birth, presumably to Rackham's child. In 1721 she married a local man named Joseph Burleigh, and they had 10 children. She died “a respectable woman,” at the age of eighty.
The portrait I drew above is purely imagined based off her description and how I imagine a habitually violent, unwashed pregnant woman living off hardtack biscuits and liquor might have looked. Prints of the drawing are for sale on my Etsy store.
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