Inktober 2018, Day 1 "Poisonous"

I mentioned that I wasn't able to scan the first Inktober image because it was too large. So I photographed it and I'm finally posting it now.

Day 1 of Inktober, prompt word "Poisonous." I previously wrote about Inktober here. This is an edited version, but I'm posting these daily on my Instagram, @St.Rhinoceros:

Day 1 of Inktober 2018, prompt word "Poisonous." Dip pen and ink. by Ciana Pullen / St. Rhinocéros. [Image description: a black and white ink drawing with ink washes. A black rectangle covers most of the page, set to the bottom left of center. Inside that frame is an ambulance with open doors, viewed from the back looking straight in, slightly from below. A stretcher sits halfway out of the ambulance. A man floats or flies out of the ambulance slightly above the viewer and his head extends out of the black frame at the top left. He has two heads; one looks back at the ambulance, troubled, and the other looks straight ahead, determined. He holds a backpack. The interior of the ambulance is very brightly lit, and one door opens beyond the black frame. The dual light sources make the face very high contrast.]

Inktober Day 4 "Spell"

Day 4 of Inktober, prompt word "Spell." I previously wrote about Inktober here. This is an edited version, but I'm posting these daily on my Instagram, @St.Rhinoceros:

Day 4 of Inktober 2018, prompt word "Spell," by Ciana Pullen / St. Rhinocéros. Dip pen and ink wash. I'm happy with the image, it's basically what I envisioned; but I realized at this point in the challenge that drawing in this style is the biggest time investment with the least amount of visual payoff for me. I always think cartooning will make me draw looser, but in fact it's the opposite. My style is loosest, simplest and most honest when I'm aiming at realism. Good to know, and just one reason I'm glad I participated in Inktober this year. [Image description: a cartoonish black and white drawing with ink wash in the style of The New Yorker cartoons (that was an accident). It's a view straight down the hallway of a bland modern hospital, from slightly above eye level. A bored nurse in scrubs walks along the ground pushing a cart. Meanwhile patients float near the ceiling. In the close foreground only a man's belly, feet, and one hand holding a cup of tea are visible. In the middle-ground a woman in a wheelchair floats with the top of her head pointed toward the viewer. Just behind her a man floats with his back to the viewer looking at the ground, like a pathetic version of a famous heavenly figure in the Sistine Chapel. They float just under fluorescent lights and are in shadow; they also cast shadows on the shiny floor that stretch toward the viewer. Extra shadows hint that there are more floating patients behind the wheelchair lady, out of view.]